Sarah DeLappe
This horror comedy traps a cadre of privileged, narcissistic Zennials in a whodunit murder mystery and lets their internet-addled delusions of grandeur tear them apart in the paranoid fallout.
Director A. Nora Long’s decision to collaborate with an all female-identifying design team and crew underscores her commitment to a feminist vision.
Perhaps the theatre of millennials will resemble Reality TV, resistant to suggestive metaphor and the rewards of complex narration.
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