Radu Jude
Like other Eastern European artists, Radu Jude is at his best channeling his anger through dark comedy.
In Berlin, the closest thing to a consensus on “Kontinental ’25” was that the film didn’t measure up to Romanian director Radu Jude’s customary standards. My view is that the critics didn’t look hard enough.
Reviews of three dark films that probe the crisis of authority, immigration, and feminism in Europe
Two divergent works of theater for the screen were at this year’s NYFF, an adaptation of Macbeth in black and white, and a raunchy sleeper from Romania.
This was an improved edition of the Berlin International Film Festival, and a number of films seem poised to travel widely, despite being largely ignored by the US media.
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