Radu Jude
Like other Eastern European artists, Radu Jude is at his best channeling his anger through dark comedy.
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In Berlin, the closest thing to a consensus on “Kontinental ’25” was that the film didn’t measure up to Romanian director Radu Jude’s customary standards. My view is that the critics didn’t look hard enough.
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Reviews of three dark films that probe the crisis of authority, immigration, and feminism in Europe
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Two divergent works of theater for the screen were at this year’s NYFF, an adaptation of Macbeth in black and white, and a raunchy sleeper from Romania.
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This was an improved edition of the Berlin International Film Festival, and a number of films seem poised to travel widely, despite being largely ignored by the US media.
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Arts Remembrance: In Memoriam — Tom Stoppard