race
One of today’s most distinctive intellects wrestles with the internet and all its messy consequences.
Bill T. Jones/Arnie Zane Company’s Curriculum II is no intellectual exercise. It is a gut-wrenching journey into the heart of darkness, offset by flashes of compassion and light.
Why did rock and roll become white? Music critic Jack Hamilton’s extraordinary new book provides a challenging answer.
“I think a lot of people around town are fairly aware of the Red Sox’s checkered history in terms of race.”
What is a Judicial Review? It is a fresh approach to creating a conversational, critical space about the arts and culture. This is our ninth session, a discussion about the New Repertory Theatre’s production of David Mamet’s play “Race”, which revolves around the frenzy and fury generated by three attorneys who are asked to defend a wealthy man accused of raping an African-American woman.
Dance icon Bill T. Jones confounds expectations about race and the power of stereotypes in two new dance pieces. “Reading, Mercy and the Artificial Nigger” and “Mercy 10×8 On a Circle” by Bill T. Jones/Arnie Zane Dance Company By Debra Cash Bill T. Jones would no doubt take umbrage at being compared to the white…
Dance Commentary: Misty Copeland, Ballet, and Race
Tomorrow, Misty Copeland will be American Ballet Theatre’s first African-American ballerina to perform the lead role in Swan Lake in New York City.
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