Poetry
Here’s this week’s poem, “Poem Faux Empyrean” by Daniel Bouchard.
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Surely the selfless subject of Anne Weber’s Epic Annette qualifies beyond doubt as a true heroine of the twentieth century?
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Here’s this week’s poem, “Time” by Nicole Callihan.
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The magazine is excited to announce its new feature “Poetry at The Arts Fuse,” which will present a poem every Thursday.
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As cultural critique, Curtis White’s Transcendent comes across as a modest if chilly yip of Zen resignation.
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This staunchly eclectic collection is also fiercely focused, unified by the fact that regardless of the subject, the poet never blinks, never looks away, never hesitates to name the pain.
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The poems in this remarkable collection lead us, as all good literature should do, after all the appearances and misdirections, feints and antic dispositions, to nothing but ourselves.
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Poet John Koethe moralizes in an abstract “universal” space — some might call it versifying in a vacuum.
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These poems are of their own time and place — written in Haiti and France early in the twentieth century — yet they remain impressively fresh.
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