Poetry
Ron Padgett’s “Pink Dust” proves that W.H. Auden was wrong — the nothing of poetry contains everything required to make a good (even heroic) life happen.
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For poet Elizabeth T. Gray, Jr., the neurological is also archeological.
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The healing powers of poetry is a sieve through which Ange Mlinko pours bitterness and disunity, cosmic and personal.
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“What Comes from the Night’ testifies to John Taylor’s complex bond with nature, a generous alliance that includes moments of introspection and melancholy.
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Time and again, Alice Fogel’s poems’ subtractions have a purifying effect, showing us a landscape or an architecture we hadn’t guessed was there.
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August Kleinzahler’s “A History of Western Music” will be a special treat for poetry readers who also appreciate music in all its forms and genres.
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Let’s hope that this book will provide an overdue and well deserved third act for the poetry of one of the twentieth century’s poetic masters.
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Jennifer Bartlett’s fine biography is a capstone to a steady solidification of respect for this innovative poet’s art and legacy.
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Jamaican poet Ishion Hutchinson’s New-World, nonwhite perspective claims its own stake in a history that we have come too much to associate with its imperialist heavyweights.
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Poet Ann Lauterbach’s eleventh book contains a challenging invitation: poems that offer fresh perceptions of life’s beautiful enigmas.
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