Peg Aloi
Steven Spielberg’s political timing is nearly perfect, and so is his film.
What has Black Mirror been good for, beyond entertainment, if not drawing our attention to escalating social and technological perils?
I can unequivocally say this is the most masterful and beautiful film of the year.
Our demanding critics choose the best (most disappointing) films of the year.
Moviegoers who haven’t thought about Tonya Harding in years may find themselves wondering if they may have judged her too harshly.
Wormwood is full of secrets, some revealed, some tantalizingly unknowable.
This short film exudes a lighthearted, breezy energy that belies the seriousness of its subject matter.
I enjoyed God’s Own Country for its realistic style and its unflinching vision of intimacy.
The Brattle Theatre has come up with a specially-curated slate of films that honors the cinematic underpinnings of Netflix’s Stranger Things.
The King’s Choice is a thoughtful nail-biter, a suspenseful historical drama.
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