Ottessa Moshfegh

Film Review: Misplaced Accents Almost Undermine “Eileen”

December 12, 2023
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Like the novel it is based on, “Eileen” eventually becomes a morally ambiguous, and twisted, noirish mystery.

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Book Review: “Death in Her Hands” — There’s No Mystery to This Mystery

October 22, 2020
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It’s as if Moshfegh is testing the furthest limits of a “red herring”: what if everything is red and everything is herring?

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Recent Posts

Arts Commentary: Rich in Creativity — But Nothing Else
December 5, 2025
Jazz Album Reviews: A Roundup of Recent Recordings
December 5, 2025
Weekly Feature: Poetry at The Arts Fuse
December 4, 2025
AT DOC NYC: A Filmmaker’s Farewell to a Friend, Flophouse Vérité, and the Fight for “Female Viagra”
December 4, 2025
Book Review: “Corrections At Work” — – Practical Reforms for Correctional Officers, Sidestepping Abolition
December 4, 2025

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Film Review: “XX”—Horror Anthology, Female Version
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