Nico Muhly
Nico Muhly’s writing in Stranger is of a type of post-Minimalism: often pulsing (or undulating) and rhythmically driven, though anything but harmonically simplistic.
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Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
Read MoreOne of the reasons audiences and funders love Kyle Abraham’s work is that the layered landscapes of his dances resonate with the fraught conditions outside the theatre.
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