Nico Muhly
Nico Muhly’s writing in Stranger is of a type of post-Minimalism: often pulsing (or undulating) and rhythmically driven, though anything but harmonically simplistic.
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
One of the reasons audiences and funders love Kyle Abraham’s work is that the layered landscapes of his dances resonate with the fraught conditions outside the theatre.
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