Nia DaCosta

Woodstock Film Festival, Dispatch #1: Troublesome Women

October 23, 2025
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A trio of superb films that feature fierce women.

Film Review: “Candyman” – Stale Sweets

September 6, 2021
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Why bother giving big-budget Hollywood projects to up-and-coming Black filmmakers if they’re just going to be neutered and cut to shit before release?

Recent Posts

Book Review: Power, Progress, and Loss in Erdoğan’s Istanbul
June 7, 2026
Cultural Commentary: Death by Incorporation — Why Do Bean-Counters Run Arts Boards?
June 7, 2026
Poetry Review: “Song of Yellow Asters” — The Limits of Pathos
June 6, 2026
Arts Commentary: In Memoriam, Michael Tilson Thomas (1944-2026)
June 6, 2026
Musician Interview: Mike Patton & The Avett Brothers Take Their Radical Collaboration on the Road
June 5, 2026

Popular Posts

Film Review: “Project Hail Mary” — The Sweet Smell of Science Fiction Wonder
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Theater Review: The Broadway Revival of “Sunset Boulevard” Assaults the Senses
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Film Review: “EPiC: Elvis Presley in Concert” – The King’s Still the Thing
February 27, 2026
Film Review: “Marty Supreme” — A Thrilling, Empty Trip Through Ego and Excess
December 24, 2025
Film Review: “Obsession” — The Horror of Dating for a New Generation
May 8, 2026

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