New Repertory Theatre
A fresh interpretation does wonders for this stirring production of Man of La Mancha.
Playwright Aaron Loeb is spot on when writing about the corporate world where loyalty is maintained through non-disclosure agreements.
Lydia R. Diamond’s dialogue is funny and cutting; when it needs to it digs deep, mining gems of psychological insight.
The New Rep production is polished, surprising, and certainly hard-hitting.
When it comes to dramatic debate, balanced parry and thrust are paramount.
There’s nothing wrong with preaching the value of empathy — but who would argue?
Via Dolorosa would have been more effective if it had taken the form of a travel essay rather than a performance piece.
The laughter in the production serves a useful purpose: it distract us from the serious narrative problems in Caryl Churchill’s script.
The New Repertory Theatre is paying homage to Arthur Miller’s centennial with a superb staging of one of the dramatist’s later works, Broken Glass.
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