By Caldwell Titcomb Two important twentieth-century pieces and a work-in-progress made up the final program of the season offered by the New England Philharmonic at the Tsai Performance Center on April 26, with Richard Pittman on the podium. A painting by E. Prampolini inspired by Bela Bartok’s “The Miraculous Mandarin”
The Annual Francis Davis Jazz Critics Poll at Mid-Year: Warming Up a Riff — How It Happened, and Why It Matters