Memorial
M.I.T.’s Sean Collier Memorial does not make a full-bodied artistic statement — it does not elicit a strongly felt aesthetic or visceral reaction.
Read MoreIn an architectural sense, the Edward M. Kennedy Institute is too quiet a visual statement.
Read MoreAlice Oswald’s “Memorial” begins with a list of 214 names, a bare, sorrowful cousin to the ship’s roll. If you know the old stories, you’ll begin to recognize some names, and then start to look forward to others.
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