Master
Mariama Diallo’s film is a subtle, sure-handed thriller that nevertheless delivers a stunningly deft commentary on the enduring horror of racism and sexism.
I’ve seen a really interesting assortment of films so far. I can’t recite them all from memory, but they’re not blurring into each other, either. Not yet, anyway.
Classical Music Commentary: Boston’s Lost Opportunity — How the BSO Board Chose Charles Munch over Leonard Bernstein