MaConnia Chesser
Theater Review: “Ain’t No Mo’” — Racism as a Surreal Farce
January 16, 2025
Few could doubt this satire’s relevance, given the alarming results of November’s election: a convicted felon, whose minions lean into racist and sexist tropes, is back in the White House.
Read MoreTheater Review: “Trouble in Mind” — Taking a Stand Backstage
January 21, 2024
Set in New York in the mid-’50s, “Trouble in Mind” is a backstage dramedy that draws on the genre’s interest in the ambiguities of role-playing to condemn racial bias.
Read MoreWhat elevates An Iliad beyond the routine is MaConnia Chesser’s dazzling performance as The Poet.
Read MoreRecent Posts
Weekly Feature: Poetry at The Arts Fuse
January 8, 2026
Children’s Theater Review: A Rip-Roaring “Library Lion”
January 7, 2026
Popular Posts
Film Review: Del Toro’s “Frankenstein” — Creature Comfortless
October 26, 2025
Film Review: “XX”—Horror Anthology, Female Version
March 6, 2017
Categories
Archives
Recent Comments
- Debra Cash on Book Review: Choreographer George Balanchine — Cavalier or Creep?
- Gerald Peary on Book Review: Choreographer George Balanchine — Cavalier or Creep?
- Freya on Fuse Interview: The Creative Faith of Damien Jurado
- Martin B on Book Review: “Owned” — How to Buy Left-Wing Journalists
- Tom Connolly on Theater Review: The Limits of “Wonder”
Arts Commentary: From the Editor’s Desk — By Popular Demand, 2026