Lucas Spiro
Claire Keegan’s novella expertly shows how the culture of idle talk in certain Irish communities is like a secret code — an intricate language that both obscures and reveals.
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Here’s to the late Harold Bloom. Do yourself a favor. Get up early (or whenever) and read something that matters.
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Maybe the greatest value of Saviano’s narratives is that they rebuke the complicity of silence; they are acts of dissent that refuse to kowtow to the oppressive omertà.
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Jack Taylor’s awareness of his own depleted condition is part of A Galway Epiphany’s Beckett-infused drama.
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What happens when the illusive Zoom gods don’t cooperate — a rescue mission.
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Our awareness of our delight in the homicidal temptations presented by film is itself a kind of twisted comedy that the critic is all too aware of.
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It’s hard to critique a novel that flies under such a resplendent banner, a wholesale rejection of the dead and decaying world of trends and war and meaninglessness.
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The Fallen artfully diagnoses the spiritual and material maladies of contemporary Cuban life through the lens of a single family, a household threatened by decay, exterior and interior.
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Told from the perspective of the Global South, this novel enthralls as it explores the urgent economic and cultural contradictions of post-colonialism, globalization, class, and alienation.
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This is hard-hitting neo-noir parable whose dark humor delights as it strikes at the corrupt heart of business as usual in Argentina.
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