Loretta Greco
The play eventually packs a wallop, but it drags its feet at the start.
The lush, lyrical, and demanding score is the main attraction, and the excellent Huntington Theatre Company cast is, for the most part, up to the challenge of singing it.
“The Triumph of Love” lacks the physical comedy and swift action that usually characterize a farce. Here the dialogue is the action.
“Prayer for the French Republic” is of interest because it raises significant questions about faith during a hate-filled time.
A talented cast does its best to add buoyancy to a script weighted down in palaver.
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