Loretta Greco
The play eventually packs a wallop, but it drags its feet at the start.
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The lush, lyrical, and demanding score is the main attraction, and the excellent Huntington Theatre Company cast is, for the most part, up to the challenge of singing it.
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“The Triumph of Love” lacks the physical comedy and swift action that usually characterize a farce. Here the dialogue is the action.
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“Prayer for the French Republic” is of interest because it raises significant questions about faith during a hate-filled time.
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A talented cast does its best to add buoyancy to a script weighted down in palaver.
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Arts Remembrance: Tribute to Jazz Producer Alex Lemski