Jesse Plemons
There’s a profound catharsis in watching “Bugonia,” one that echoes the catharsis articulated by those who attended the ‘No Kings’ protests on the 18th.
The latest film from Yorgos Lanthimos is a confusing mishmash of forced weirdness.
Director Jane Campion’s sharp adaptation of Thomas Savage’s novel focuses on the damage done to those who surrender to the alluring but pernicious “sword” of social conformity.
Arts Commentary: The Nelsons Case