Jess Viator
This is a script with an exquisite sense of balance; Trans Scripts, Part I is thoughtful, informative, honest, and playful, all at once.
Read MoreYes, The Last Schwartz is a family drama through and through, but it is well crafted and touching.
Read MorePatrick Gabridge’s political satire presents some intriguing sci-fi-like concepts, but the play falls into too many narrative potholes.
Read MoreDaughter of a Cuban Revolutionary is at its most theatrically gripping when Marissa Chibas is caught up in her memories.
Read MoreMJ Halberstandt’s script is at its strongest when his characters, and how they connect with each other, are the focus.
Read More1984‘s theatrical vision of authoritarianism in action is not for the faint of heart.
Read MoreCompany One’s actors are top notch and they expertly serve the production’s antiquated style of non-realistic acting.
Read MoreThe actors’ infectious energy and absolute dedication to imaginative play-acting help make Arabian Nights spellbinding.
Read MoreWho would have guessed that a hunk of War and Peace could be such an enormous amount of fun?
Read More