James Deen
The bubbling-over sexuality of Paul Schrader’s The Canyons is surely tongue-in-cheek, amusing in its semen-splashed excessiveness.
BOSTON'S PREMIER ONLINE ARTS MAGAZINE
The bubbling-over sexuality of Paul Schrader’s The Canyons is surely tongue-in-cheek, amusing in its semen-splashed excessiveness.
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