Harry Melling
The intention isn’t to provoke, eroticize, or sexually titillate. Devoid of the kinds of melodramatics that play into the fujoshi fantasy that’s all the rage right now, “Pillion” is a film about fetishes that never fetishizes its subject matter to placate an outsider’s gaze.
This alternately ecstatic and murky, pointed and obscure, allegory is a rare attempt to confront the pathological systems leading us to an uncertain fate.
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