Gus Kaikkonen

Theater Review: “The Voysey Inheritance” — A Masterpiece About Fraud, Capitalism, and Family

August 21, 2014
Posted in , ,

The Voysey Inheritance comes to the Peterborough Players with distinction, and this production is persuasive evidence that it belongs in a wider repertory of contemporary theater.

Read More

Theater Review: Somerset Maugham’s “The Circle” — Drawing-room Comedy Presented with Aplomb

August 7, 2014
Posted in , ,

Gus Kaikkonen has shown himself particularly adept at directing period pieces in such a way that they don’t bog down in their period, but convey the life of their own time into our own.

Read More

Theater Review: “Last of the Red Hot Lovers” — Comic Froth Infused With Gravity

July 10, 2014
Posted in , ,

Neil Simon’s Last of the Red Hot Lovers wears surprising well after nearly half a century, with the help of minimal, subtle updating of topical references.

Read More

Theater Review: An Exuberant and Dark “Absurd Person Singular”

August 23, 2013
Posted in , ,

Alan Ayckbourn’s Absurd Person Singular is a comedy of total narcissism — belly-laugh jokes accompanied by a cold cruelty.

Read More

Fuse Theater Review: “Doctor Knock” — Medicine as Flim-Flam Farce

August 18, 2011
Posted in , ,

Anyone who has sat through a commercial for one pill or another will recognize and acknowledge the satiric thrust of this enjoyable 1920’s French farce.

Read More

Recent Posts