Film
“Avatar” is beautiful and otherworldly, but the film is so grounded in down-to-earth concepts that it restricts the viewer’s imagination rather than broadening it. An infinitely better and more complex recent space opera, “Mass Effect 2,” comes in the form of a video game. Is it art? Yes. By Justin Marble Over the centuries the…
Read MoreIt’s easy, and popular, to write director Wes Anderson off as a hipster who offers nothing beyond quirk and the occasional funny line. But his films are really American versions of the French New Wave. by Justin Marble “He redeemed himself.” “Redemption? Sure. But in the end, he’s just another dead rat in a garbage…
Read MoreFilled with great insights, musical and other, Phil Grabsky’s wonderful documentary on Beethoven depicts “a man of huge intellect and huge heart.” In Search of Beethoven, a documentary by Phil Grabsky (UK, 2009, 139 min). At the Museum of Fine Arts, Boston, MA, Wednesday Jan. 13 at 3:05 pm, Thursday January 14 at 5:10 pm.,…
Read MoreBy Helen Epstein “Broken Embraces” at Kendall Square and Embassy Cinemas 1: Pedro Almodovar, one of the most interesting directorial sensibilities of our time, whose films probe our infinite varieties of experience in love and work 2: Penelope Cruz, an original who also incarnates the best of the many movie stars — American and European…
Read MoreBy Justin Marble
Read MoreBy Justin Marble “The Beaches of Agnes” At the Coolidge Corner Cinema If a motif exists in Agnes Varda’s sprawling new documentary, “The Beaches of Agnes,” it may just be the art of walking backwards. The 81-year-old director, famous among the art house crowd for French New Wave films like “Cleo from 5 to 7,”…
Read MoreBy Justin Marble October 1 through 3: Classic Cinema at Museum of Fine Arts: This weekend, the Museum of Fine Arts is showing two classic pieces of cinema. First up is Akira Kurosawa’s “Throne of Blood,” his reworking of Shakespeare’s “Macbeth” in feudal Japan. Then it’s Sam Peckinpah’s “The Wild Bunch,” a 1969 Western that…
Read MoreRobert Siegel has an undeniable talent for capturing the desperation and despair of his downtrodden character, but the director never tells us why he is plumbing the lower depths of America’s mania for sports. Big Fan, directed by Robert Siegel, showing at Kendall Square Cinema. Reviewed by Justin Marble Like Robert Siegel’s first script, “The…
Read Moreby Justin Marble Beeswax, directed by Andrew Bujalski, showing at Coolidge Corner Theatre. Boston native Andrew Bujalski’s third feature film, “Beeswax,” does not reel off the trials and tribulations of superheroes, pirates, serial killers, or giant transforming robots. There’s no killer shark, no Godzilla, no guns, and no aliens. Brad Pitt and Julia Roberts do…
Read MoreBy Harvey Blume The Baader Meinhof Complex (Der Baader Meinhof Komplex) Directed by Uli Edel At Kendall Square and Coolidge Corner Cinemas There are some things the German Red Army Faction — the RAF, or Baader Meinhof Gang — had in common with ultra-militant elements of the American New Left, as I knew and participated…
Read More