feminism

Book Review: “The Body of the Soul” — Life is a Game Worth Playing

November 24, 2023
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Ludmila Ulitskaya’s stories are fatalistic in spirit, but not morose.

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Book Review: “Fearless Women” — A Vivid, Rounded Portrait of the Choices Facing America’s Women

May 9, 2023
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Fearless Women is so well-written, so well researched, and so engaging that you will find it of real value even as it tells some stories you thought you already knew.

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Book Review: “Soccer Grannies” — A Marvelous Book About an Amazing Woman

May 8, 2023
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Nobody reading about Rebecca “Beka” Ntsanwisi, aka “Mama Beka,” can feel anything but good. This extraordinary South African woman has built a network of soccer teams made up of grandmothers throughout her country.

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Author Interview: Kathleen C. Stone on “They Called Us Girls: Stories of Female Ambition from Suffrage to Mad Men””

May 1, 2022
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“Some women ignored what was expected and forged careers in fields traditionally reserved for men. In other words, they had “men’s” jobs. I wanted to know where that ambition came from.”

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Film Review: “A Married Woman” — Beautifully Empty-headed

April 15, 2016
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I appreciate the effort to bring back this rarely seen early Godard. But there are reasons this movie hasn’t been previously revived.

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Theater Review: “Out of Sterno” — Absurd to the Point of Distraction

July 4, 2015
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Out of Sterno punches the same punchline far too often.

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Fuse Theater Review: “The How and the Why” — The Science of Being Human

June 10, 2015
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It is worth your time watching Shakespeare & Company’s two fine actresses come to an understanding that is cathartic and real.

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Poetry Review: Portrait of a Predicament

August 26, 2011
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I wouldn’t be writing this review or asking you to read this book if I didn’t believe that McLane were up to something far more radical and also far more difficult to reckon with—something I am not even sure I can account for. The most significant quality of the poetry in “World Enough” is a profound and unapologetic ambiguity.

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Theater Review: “DollHouse”: A Door Slams in Connecticut

March 11, 2011
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Dramatist Theresa Rebeck’s updated version of Ibsen’s play strengthens one key aspect of A Doll’s House—its picture of savage incomprehension between man and woman, which drives Ibsen’s call for independence and self-respect in a society that rewards complacency, greed, and childish role-playing. DollHouse by Theresa Rebeck. Based on A Doll’s House by Henrik Ibsen. Directed…

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