Featured

Classical Music Review: Fleisher at 80

October 8, 2008
Posted in ,

By Caldwell Titcomb The two greatest American pianists to emerge in the twentieth century are Leon Fleisher (b. 1928) and Murray Perahia (b. 1947). From 1958 to 1962 Fleisher recorded all five Beethoven piano concertos and the two by Brahms with the Cleveland Orchestra under George Szell. These constitute the yardstick against which all other…

Read More

Classical Music Review: A Conductor’s Debut

October 7, 2008
Posted in ,

By Caldwell Titcomb The New England Conservatory (enrollment 750) recently decided to upgrade its orchestral program. Its major move was to appoint the newly-endowed Stanford and Norma Jean Calderwood Director of Orchestras. The inaugural holder of the post is the well-established conductor Hugh Wolff. In 1975 he graduated magna cum laude from Harvard (where he…

Read More

Short Fuse: Russell Banks’ American Dream

October 6, 2008
Posted in ,

By Harvey Blume “Dreaming up America” By Russell Banks Seven Stories Press, 176 pages, $21.95 This book of essays by novelist and short story writer Russell Banks was published before our country’s financial crisis reached the acute stage from which it may or may not be recovering, or the author would surely have voiced bracing…

Read More

Porochista Khakpour and Flammable Fiction

October 3, 2008
Posted in , , ,

Porochista Khakpour at the Brooklyn Book Fair. The late David Foster Wallace was her hero. By Bill Marx The latest World Books podcast features my conversation at the Brooklyn Book Fair with Iranian-American author Porochista Khakpour, whose first novel, “Sons and Other Flammable Objects,” earned accolades from “The New Yorker” as well as the “New…

Read More

Book Commentary: Machado De Assis — Genius at 100

September 28, 2008
Posted in ,

by Bill Marx “If Borges is the writer who made Garcia Marquez possible,” observed Salman Rushdie, “then it is no exaggeration to say that Machado de Assis is the writer who made Borges possible.” Rushdie’s piggybacked history of the hemisphere’s premier intellectual ironists is correct but, at least until the last decade or so, Machado…

Read More

Breyten Breytenbach Remembers the Last Abyss Before Hell

September 22, 2008
Posted in , , ,

Breyten Breytenbach at this year’s Brooklyn Book Fair By Bill Marx On this week’s World Books podcast I talk to South African writer, painter, and human rights activist Breyten Breytenbach about his recently published book of mordantly fantastic fables “All One Horse.” In America, Breytenbach is known, if at all, for his four highly unconventional…

Read More

Book Review: Gao Xingjian’s Cosmic Conga Line

September 19, 2008
Posted in , ,

By Bill Marx A scene from the world premiere production of Nobel Laureate Gao Xingjian’s “Of Mountains and Seas.” “Of Mountains and Seas: A Tragicomedy of the Gods in Three Acts” By Gao Xingjian. Translated from the Chinese by Gilbert C.F. Fong The Chinese University Press, distributed by Columbia University Press Filled with wise-cracking mythological…

Read More

Theater Review: “The Boys of Winter”

September 17, 2008
Posted in ,

By Bill Marx “The Boys of Winter” Written by Barry Brodsky, Eric Small and Dean B. Kaner. Directed by Bridget Kathleen O’Leary. Presented by BKS Productions at Boston Playwrights Theatre, Boston, MA, through September 21. John Greiner-Ferris as the disgruntled vet in “The Boys of Winter” In his superb new essay collection “Writing in the…

Read More

Book Commentary: Fear of Translation

September 17, 2008
Posted in ,

by Bill Marx The newspaper “Haaretz” recently reported that the family of George Khoury, an Israeli Arab student killed in a 2004 terrorist attack in Jerusalem, responded to his death with a generous gesture – it has helped finance a translation into Arabic of Israeli writer Amos Oz’s powerful 2003 memoir  A Tale of Love…

Read More

Theater Review: Schiller’s “Don Carlos”

September 12, 2008
Posted in , ,

By Caldwell Titcomb Some plays are so long that they drive people to despair. In the standard theatrical canon the palm goes to Goethe’s “Faust,” Part I of which runs 4612 lines, and Part II takes the total to 12,111 lines. Next comes Ibsen’s “Peer Gynt.” The playwright did not intend this to be staged…

Read More

Recent Posts