Faye Driscoll’s muddled version of taking artifice apart is far too familiar; we’ve done it all before, seen it more than once.
Faye Driscoll
Dance Review: Ids in Captivity
Most of the piece was carefully engineered; it seemed more calculated than liberated
Dance Review: Putting the Id in Kid: Faye Driscoll at the ICA
Over the next 90 minutes, Faye Driscoll and Aaron Mattocks stepped, bounced, shrieked and scrabbled through a series of 20 to 30-count episodes, much of it having to do with orality.