Faye Driscoll
When the performers finally left the platform, breathing hard, crawling towards us and into the audience, I realized I was seeing something new.
Faye Driscoll’s muddled version of taking artifice apart is far too familiar; we’ve done it all before, seen it more than once.
Most of the piece was carefully engineered; it seemed more calculated than liberated
Over the next 90 minutes, Faye Driscoll and Aaron Mattocks stepped, bounced, shrieked and scrabbled through a series of 20 to 30-count episodes, much of it having to do with orality.
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