Ethan Hauser
We are left with a somewhat scattered narrative written in the third person with an omniscient narrator that moves from one inner life to another, sometimes to good effect, and sometimes leaving the reader stranded.
BOSTON'S PREMIER ONLINE ARTS MAGAZINE
We are left with a somewhat scattered narrative written in the third person with an omniscient narrator that moves from one inner life to another, sometimes to good effect, and sometimes leaving the reader stranded.
Visual Art Commentary: Silence Is Complicity — Why Museums Must Use Their Voice to Defend Democracy