Boston Conservatory’s New Music Festival is inspiring a series of critical and speculative commentaries from Fuse Jazz Critic Steve Elman. Here is the second, which focuses on The Fringe and some of the qualities that make the trio special in the world of jazz.
Eric Hewitt
Classical Music Review: Boston Conservatory Wind Ensemble
By Caldwell Titcomb Three works by major composers made up the free concert presented by the Boston Conservatory Wind Ensemble on October 10 at the Midway Studios in South Boston. On the podium was Eric Hewitt, who holds a bachelor’s in saxophone performance and a master’s in conducting – both from the New England Conservatory […]