Emile Zola
“If my work does have a recurrent theme, it is the pressure of the political/historical moment on individual choice.”
What our planet needs now is the reincarnation of a writer who, while combing through the nooks and crannies of society for painful truths, uses depictions of the present to demand future changes.
Published in August of 2020, Oxford University Press’s English translation of Doctor Pascal marked the first time that Émile Zola’s 20-book Les Rougon-Macquart series was available in print under one publisher.
Entertaining yet incisive, The Conquest of Plassans remains a devastatingly acute reminder that religion and politics make surprisingly compatible bedfellows.
Mr. Selfridge drives me nuts because the storyline, the rise of a mercantile empire, calls for edgy Darwinian conflict rather than paternal benevolence sprinkled with layers of powered soap opera.
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