Ellie Heyman
Henrik Ibsen’s rejection of the everyday drives this compelling take on “Hedda Gabler” – the production generates a theatrical arena that is simultaneously acrobatic and surreal.
BOSTON'S PREMIER ONLINE ARTS MAGAZINE
Henrik Ibsen’s rejection of the everyday drives this compelling take on “Hedda Gabler” – the production generates a theatrical arena that is simultaneously acrobatic and surreal.
Arts Remembrance: Sonny Rollins, Jazz’s ‘Saxophone Colossus,’ Dies at 95