Dana Suesse
This first group of mavericks all have their roots in the 1920s, but they demonstrate that George Gershwin’s way wasn’t the only way.
Read More about Music Commentary Series: Jazz and the Piano Concerto — Mavericks, 1923-1955Recent Posts
Popular Posts
Categories
Archives
Recent Comments
- Maryliz on Visual Arts: Ambergris and Alchemy — A Pilgrimage to John Singer Sargent’s “Fumée d’Ambre Gris”
- Mark Favermann on Visual Arts Review: “Where’s Boston? 50 Years Later” — A City in Focus
- John Kaminski on Arts Feature: Mark Cutler and The Same Thing Project — Writing Songs Together
- Lucas Spiro on Book Review: “The Veiled Prophet” — The Pageantry of Reaction
- Debra Cash on Book Review: Beyond the Canon — How Cultural Authority Is Made
Music Commentary Series: Jazz and the Piano Concerto — The Zebra in the Room
Much more work could be done fertilizing the fields of cross-cultural music, sowing seeds collected from the great touchstones of American culture – innovation, integration, risk, reward.
Read More about Music Commentary Series: Jazz and the Piano Concerto — The Zebra in the Room