Dana Suesse
This first group of mavericks all have their roots in the 1920s, but they demonstrate that George Gershwin’s way wasn’t the only way.
Read More about Music Commentary Series: Jazz and the Piano Concerto — Mavericks, 1923-1955Recent Posts
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Music Commentary Series: Jazz and the Piano Concerto — The Zebra in the Room
Much more work could be done fertilizing the fields of cross-cultural music, sowing seeds collected from the great touchstones of American culture – innovation, integration, risk, reward.
Read More about Music Commentary Series: Jazz and the Piano Concerto — The Zebra in the Room