Dana Suesse
This first group of mavericks all have their roots in the 1920s, but they demonstrate that George Gershwin’s way wasn’t the only way.
Read More about Music Commentary Series: Jazz and the Piano Concerto — Mavericks, 1923-1955Recent Posts
Popular Posts
Categories
Archives
Recent Comments
- S Navarre on Visual Arts Review: Flux and Form — Calder-Klee and Giacometti-Rothko Dialogues at MFA Boston
- Kevin Bennett on Film Review: “Project Hail Mary” — The Sweet Smell of Science Fiction Wonder
- Js on Book Review: “My Last Innocent Year” — Too Unreliable?
- Graham McBean on Film Review: “Project Hail Mary” — The Sweet Smell of Science Fiction Wonder
- Graham McBean on Film Review: “Project Hail Mary” — The Sweet Smell of Science Fiction Wonder
Music Commentary Series: Jazz and the Piano Concerto — The Zebra in the Room
Much more work could be done fertilizing the fields of cross-cultural music, sowing seeds collected from the great touchstones of American culture – innovation, integration, risk, reward.
Read More about Music Commentary Series: Jazz and the Piano Concerto — The Zebra in the Room