Dana Suesse
This first group of mavericks all have their roots in the 1920s, but they demonstrate that George Gershwin’s way wasn’t the only way.
Read MoreRecent Posts
Concert Review: Boston Baroque and Making Handel’s “Messiah” Fresh
December 14, 2025
Arts Feature: Top Classical Recordings and Concerts of 2025
December 14, 2025
Book Review: “Nobody’s Girl” — An Emotionally Wrenching Horror Story
December 13, 2025
Theater Review: Working Up a “Hedda” Steam
December 13, 2025
Popular Posts
Film Review: Del Toro’s “Frankenstein” — Creature Comfortless
October 26, 2025
Film Review: “XX”—Horror Anthology, Female Version
March 6, 2017
Categories
Archives
Recent Comments
- Commentator on the aisle on Theater Review: Wheelock Family Theatre’s “Annie” Radiates Hope but Misses an Opportunity
- Stephen G Provizer on Jazz Commentary: The Enduring Enigma of Chet Baker
- Vincent Czyz on Jazz Commentary: The Enduring Enigma of Chet Baker
- Joe Vance on Film Review: “Jay Kelly”, When Hollywood Mocks Itself — and Misses
- Chad Parenteau on Weekly Feature: Poetry at The Arts Fuse
Music Commentary Series: Jazz and the Piano Concerto — The Zebra in the Room
Much more work could be done fertilizing the fields of cross-cultural music, sowing seeds collected from the great touchstones of American culture – innovation, integration, risk, reward.
Read More