By Caldwell Titcomb The New England Conservatory (enrollment 750) recently decided to upgrade its orchestral program. Its major move was to appoint the newly-endowed Stanford and Norma Jean Calderwood Director of Orchestras. The inaugural holder of the post is the well-established conductor Hugh Wolff. In 1975 he graduated magna cum laude from Harvard (where he […]
This year marks the 250th anniversary of Mozart’s birth and just about every classical performing group is paying tribute. Enterprising souls are marketing everything from standard keepsakes to off-the-wall Mozart items. Mozart Salami, anyone? “Mozart: The Early Years, 1756-1781″ by Stanley Sadie. (Norton) By Mary Ann Nichols Among the more erudite celebrations of the event […]
The composer turns 250 this year and everyone is trying to cash in on the worldwide party.
Recent stand-out classical recordings boast fresh interpretations of familiar works, recordings of little-known repertoire, and some legendary performances by Pablo Casals. By Mark Kroll Harmonia Mundi has an excellent new recording of Mozart’s “Cosi fan tutte” with Rene Jacobs and his Concerto Koln taking just the right approach to Mozart’s great comic opera. The packaging […]
Don Quixote, Stalin, and a deadbeat 18th century nobleman trigger musical magic at a series of concerts in the Berkshires.
The controversy over the appointment of a woman to become the conductor of the Baltimore Symphony Orchestra boils down to issues of power and gender. By Mark Kroll It’s been a tough year for conductors. In February, David Miller was in southern France conducting “Don Giovanni” with his Bulgarian orchestra when French police burst in […]
Old recordings of classical music may have less to teach us than many critics think. By Mark Kroll It has been more than 100 years since the first wax cylinder scratched out a reproduction of someone screaming into a megaphone, but classical music recordings still “can’t get no respect.” A common lament has been that, […]