Boston Marathon Bombings
M.I.T.’s Sean Collier Memorial does not make a full-bodied artistic statement — it does not elicit a strongly felt aesthetic or visceral reaction.
The 64,000 question is, if the artists’ concerns gravitated to the Marathon Bombings, why did “Interference”‘s press releases and the program cite Picasso’s “Guernica”?
A movie critic can’t help but tie the Boston Marathon tragedies to the cinema, and so John Frankenheimer’s “Black Sunday” (1977) obviously flashes to mind.
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