Bill Cain
Dostoevsky’s theater is set on a metaphysical stage — both “The Grand Inquisitor” and “9 Circles” explore whether the actions of its central characters are meaningful or absurd.
BOSTON'S PREMIER ONLINE ARTS MAGAZINE
Dostoevsky’s theater is set on a metaphysical stage — both “The Grand Inquisitor” and “9 Circles” explore whether the actions of its central characters are meaningful or absurd.
Stage Commentary: The Need for a Theater of Transformation
Theater taught me how to draw parallels, to condense, to delete triviality and to recognize significance.
Read More about Stage Commentary: The Need for a Theater of Transformation