Bill Cain
Dostoevsky’s theater is set on a metaphysical stage — both “The Grand Inquisitor” and “9 Circles” explore whether the actions of its central characters are meaningful or absurd.
BOSTON'S PREMIER ONLINE ARTS MAGAZINE
BOSTON'S PREMIER ONLINE ARTS MAGAZINE
Dostoevsky’s theater is set on a metaphysical stage — both “The Grand Inquisitor” and “9 Circles” explore whether the actions of its central characters are meaningful or absurd.
Stage Commentary: The Need for a Theater of Transformation
Theater taught me how to draw parallels, to condense, to delete triviality and to recognize significance.
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