Austin Butler
Viewers would be wise not to search for a deeper meaning in “Caught Stealing” — this is an example of entertaining commercial filmmaking from one of our best directors.
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The story’s surprising degree of feeling for Joaquin Phoenix ‘s Joe saves “Eddington” from simply serving as fodder for overheated social media discourse and crusading op-eds.
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A 1968 book of photos and interviews on a motorcycle club makes a fictionalized transition to the screen.
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For 2 hours and 39 minutes, I was happy to sell my soul to Lucifer
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Arts Remembrance: In Memoriam — Tom Stoppard