antisemitism
The strongest element in this Arlekin production is the indelible stage images of loss and love, death and despair, memory and resilience, dreamed up by director Igor Golyak and his talented production team.
Read MoreIn choreographer Rachel Linsky’s hands — and the bodies of her articulate, reverberating dancers — you gain both kinesthetic and emotional access to the worlds of those who lived the Holocaust.
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Culture Commentary: World War II Was a Race War, and It Isn’t Over
It isn’t exactly news that the genocide of Native Americans was a model for Hitler, but it hit with fresh force in The U.S. and the Holocaust.
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