Anne Hathaway
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Like the novel it is based on, “Eileen” eventually becomes a morally ambiguous, and twisted, noirish mystery.
The Persian Version and Eileen offer different takes on friction in the family.
In James Gray’s new film, the tragedy and pain behind Jewish assimilation lurks just out of frame.
The show never grapples with the casualties of corporate crashes because it would mean critiquing a system that is making a lot of people at the top rich (looking at you, Apple).
Writer-director Nacho Vigalando blows to bits his love story and morphs his movie into a totally bonkers horror flick.
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