Anaïs Mitchell

Visual Arts Interview: Photographer Barry Schneier on his Exhibit “The Song Is Still Being Written: The Folk Music Portrait Project”

January 3, 2025
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When Barry Schneier felt it was time for his next photography project about musicians, he decided to get to know his subjects, not just shoot them.

Theater Review: “Springtime for Hades”

April 25, 2024
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It’s an old tale, we know how it’s going to end, but we tell it again all the same

Recent Posts

Visual Art Commentary: Silence Is Complicity — Why Museums Must Use Their Voice to Defend Democracy
March 3, 2026
Book Review: Richard Hell’s “Godlike” — Punk Passion and the Gospel of Damnation
March 2, 2026
Coming Attractions: March 1 through 15 — What Will Light Your Fire
March 1, 2026
Film Review: Dancing at the Edge of War — The Haunting Allegory of “Sirāt”
March 1, 2026
March Short Fuses — Materia Critica
March 1, 2026

Popular Posts

Theater Review: The Broadway Revival of “Sunset Boulevard” Assaults the Senses
November 9, 2024
Film Review: “Marty Supreme” — A Thrilling, Empty Trip Through Ego and Excess
December 24, 2025
Theater Review: “John Proctor Is the Villain ” — Critiquing a Classic
March 6, 2024
Rock Concert Review: Neil Young and the Chrome Hearts — Still Restless After All These Years
August 23, 2025
Film Review: Del Toro’s “Frankenstein” — Creature Comfortless
October 26, 2025

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