Alison Bechdel
“Fun Home”‘s relevance not only lies in how it flawlessly interweaves three storylines that revolve around the same character, but how it dramatizes, with grace, humor, and pathos, a familiar human struggle — looking at our parents through adult eyes.
Reviews of the cogent and well-crafted The Big Payback, the comprehensive if conventional Zora Neale Hurston: Claiming a Space, and No Straight Lines: The Rise of Queer Comics, which expertly balances whimsy and gravity, though the version of the film shown by PBS has been heavily censored.
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