A24
“The Front Room” lacks the suspense and tension of “My Mother the Car” and, on top of that, it doesn’t have the benefit of a super-catchy theme song.
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Showing Up offers a much different kind of artist and art scene than we’re used to seeing in film.
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The action, as it were, is mostly the exhaustively filmed grappling of two beautiful people in no-star motels.
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This horror comedy traps a cadre of privileged, narcissistic Zennials in a whodunit murder mystery and lets their internet-addled delusions of grandeur tear them apart in the paranoid fallout.
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Marcel the Shell with Shoes On is a work of depth as well as inspired silliness, structured with moments of quiet contemplation in between the laughs.
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Zola is an exhilaratingly salacious odyssey through the neon-lit strip clubs, dingy motels, and gaudy underbelly of America’s chaos state, like Showgirls as told by Zora Neale Hurston.
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