A24
“The Front Room” lacks the suspense and tension of “My Mother the Car” and, on top of that, it doesn’t have the benefit of a super-catchy theme song.
Showing Up offers a much different kind of artist and art scene than we’re used to seeing in film.
The action, as it were, is mostly the exhaustively filmed grappling of two beautiful people in no-star motels.
This horror comedy traps a cadre of privileged, narcissistic Zennials in a whodunit murder mystery and lets their internet-addled delusions of grandeur tear them apart in the paranoid fallout.
Marcel the Shell with Shoes On is a work of depth as well as inspired silliness, structured with moments of quiet contemplation in between the laughs.
Zola is an exhilaratingly salacious odyssey through the neon-lit strip clubs, dingy motels, and gaudy underbelly of America’s chaos state, like Showgirls as told by Zora Neale Hurston.
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