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John Williams’s concert music may be intended to enrich and edify, but there’s always room for a little fandom, particularly on occasions like this. At 93, and after a lifetime of firsts, the composer deserves every accolade.
Read MoreDenis Kozhukin is an inspired guide to music geared toward young players by Sergei Prokofiev and Tchaikovsky; Cleveland Orchestra and Franz Welser-Möst serve up mixed rewards in performances of symphonies by Julius Eastman and Tchaikovsky.
Read MoreScreenwriter, film director, and novelist Charlie Kaufman tries to lighten up in “Orion and the Dark”.
Read MoreThe all-too-human propensity for not only telling yourself what you want to hear but taking what you see at face value is what drives the action.
Read More“The Triumph of Love” lacks the physical comedy and swift action that usually characterize a farce. Here the dialogue is the action.
Read MoreThis H + H Society performance suggested Handel’s genius for generating joy.
Read MoreAugust Kleinzahler’s “A History of Western Music” will be a special treat for poetry readers who also appreciate music in all its forms and genres.
Read MoreThe performance of John Adams’s “City Noir” is swift and characterful, though sometimes pushed perhaps a bit too hard for its own good. The rendition of Leonard Bernstein’s “Serenade” is clear but a bit too safe.
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Police Violence Commentary: Another NYPD Murder — Two Decades Ago
To be killed — as in murdered — by police you don’t necessarily have to be a person of color.
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