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By Justin Marble October 1 through 3: Classic Cinema at Museum of Fine Arts: This weekend, the Museum of Fine Arts is showing two classic pieces of cinema. First up is Akira Kurosawa’s “Throne of Blood,” his reworking of Shakespeare’s “Macbeth” in feudal Japan. Then it’s Sam Peckinpah’s “The Wild Bunch,” a 1969 Western that…
Read MoreSteven Hyden doesn’t really pick a side in these fights; he’s broad minded enough to know and enjoy every artist’s work.
Read MoreIn “Train Dreams” the world of beauty and terror is balanced as only our best writers have been able to balance those things.
Read MoreComposer Michael Daugherty’s lovely survey of 20th-century touchstones continues; violinist Philippe Quint plays a lineup made up (mostly) of commissions.
Read MoreToo many cultural critics look at our past through a fuzzy filter of sentiment. Chapo Trap House tackles America’s past and present idiocies head-on in a refreshingly honest way.
Read MoreHub Theatre Company’s production of The Taming is engaging, thanks in no small part to the hilarious performances of its three lead actors.
Read MoreOne of the most controversial exhibitions in decades, Pollock Matters, curated by Case Western Reserve Professor Ellen Landau and others, opened quietly at Boston College’s McMullen Museum just this past Labor Day weekend. But it is already turning heads.
Read MoreA trio of fine discs: Leonard Bernstein’s music for solo piano, Charlie Chaplin’s songs, and Charles Hubert Hastings Parry’s trios.
Read MoreBy Caldwell Titcomb Argentinian pianist Ingrid Fliter made her Boston debut with a Celebrity Series recital in Jordan Hall on November 1. Now 36, she started playing in public at the age of eleven. For this appearance she offered music by Beethoven, Chopin, and Schumann.
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler