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A face-off between these two artists is ridiculous because picking a favorite is pointless.
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What a treat to see choreographers of different generations concentrating on ballet itself and asking the audience to appreciate what ballet can do.
Read MoreIn a period of radicalism and terrorism, this installation serves as a beacon for remembering the beauty of the best of Islamic creative culture.
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Quibbles aside, this book’s profusion of illustrations is a windfall for artists, art students, and those keen on close looking and visual culture.
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Not all of Atlanta Symphony Orchestra conductor Nathalie Stutzmann’s ideas about Dvorak’s Ninth Symphony add up, but there is not much to argue with in Czech Philharmonic Orchestra director Semyon Bychkov’s take on Dvorak’s Seventh, Eighth, and Ninth Symphonies.
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A 1968 book of photos and interviews on a motorcycle club makes a fictionalized transition to the screen.
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Grupo Corpo’s dancers are as technically astute as other top dance companies, but they excel at conveying a lushness of movement that feels sensual rather than sexual.
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Here is an outstanding recording from the Escher String Quartet of music by two stylistically divergent 20th-century American composers, Samuel Barber and Charles Ives.
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Proud excels when it makes the political personal, utilizing its characters as affecting markers for changing minds and hearts.
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The main problem with Gloria is its expository storytelling. Events are mostly announced and described rather than recreated.
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Holiday Commentary: Making Room for the Stranger