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Arts Commentary: Helping Dance at a Time of Social Distancing

March 15, 2020
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How, frankly, could I help people engage with their inherent creative powers and feel just a little bit better?

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Fuse Coming Attractions: March 27 through April 5 — What Will Light Your Fire This Week

March 27, 2016
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Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.

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Film Review: Dennis Hopper’s “Out of the Blue” — Still a Stunner

May 12, 2022
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A welcome homecoming for a new 4K digital restoration of a landmark independent film that’s attained cult status.

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At the New York Film Festival: “All That Breathes” — Birds Saved, to Return to a Toxic Sky

October 16, 2022
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It is tempting to call All That Breathes a film of great humanity, but the documentary’s empathy extends far beyond humans.

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Book Review: “On The Marble Cliffs” — History as Dreamscape

January 7, 2023
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Maintaining liberty in the face of totalitarian fantasy calls for vigilance. Ernst Jünger’s cautionary tale may be more resonant now than when it was first published.

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Theater Feature: Edward Gorey Takes the Stage

May 29, 2011
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Author Carol Verburg covers a sinfully neglected part of Edward Gorey’s career –- the books on his art deal cursorily, if at all, with his forays into theater as a director, designer, actor, and writer

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Theater Review: “Wish You Were Here” — Innocence Lost

August 15, 2024
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Through around 10 scenes, spanning over a decade, “Wish You Were Here” looks at political oppression through the domestic lens of lost love and friendships.

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Visual Arts Review: Hood Museum of Art Reopens

February 3, 2019
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The renovated Hood Museum of Art feels open and free.

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Book Review: A Chance for Peace—”Killing a King”

November 8, 2015
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People like [Yigal Amir] emerge in many social movements, people who regard protest within the bounds of democratic process as insufficient.

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Film Review: “How to Have Sex” — The Holiday Trap

February 9, 2024
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“How to Have Sex” doesn’t criticize teenage girls for wanting to get laid, but it points out how the cultural environment in which they do so is directed entirely towards male pleasure

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