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Novelist Dan Jones excels in re-imagining the life of common people in wartime, in particular a small group of English fighters embroiled in the so-called Hundred Years War (1337–1453) between England and France.
This endearing but unsentimental film explores the myriad connections that many Istanbul residents have to their feline neighbors.
The 64,000 question is, if the artists’ concerns gravitated to the Marathon Bombings, why did “Interference”‘s press releases and the program cite Picasso’s “Guernica”?
William Friedkin’s “The Exorcist” stands, 50 years on, as a primer on how to lure viewers in with striking, haunting imagery as a prelude to a previously unimaginable cinematic journey.
Yin Yu Yang is a brilliant example of architectural and cultural collaboration that allows visitors to experience and learn about Chinese art, architecture, and culture.
If Castle Rock is intended to be a commentary on Trump’s not-so-great America, well, what better genre than horror to spread the angst?
Mare of Easttown is particularly effective in interweaving troubled domestic timelines, families held together by women who are on the brink of psychic or emotional collapse.
Indefinite argues that legitimate change in the way this country deals with people accused of breaking the law would have to begin with the recognition of their humanity.
This uncomplicated version of Shakespeare’s tragedy comes off as a rousing tale of murder under a starlit Boston sky that obligingly lights Macbeth’s “black and deep desires.”
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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