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Theater Review: Missing the Irony in “Revolt. She Said. Revolt Again.”

October 27, 2016
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Alice Birch’s play/polemic about radical feminism resists Company One’s earnest-to-the-max interpretation.

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Film Review: “The Green Knight” — An Art-House Medieval Drama

August 7, 2021
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Is what we see real or in the spirit world? Whatever, I cheer on filmmaker David Lowery’s luminous time-traveling. Pure cinema poetry.

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Book Review: Three New Novels Explore the Power of Trauma

March 31, 2015
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A trio of new novels suggest that bad as it gets may not be as bad as it can get.

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Rock and Book Review: New Visions of Metal, Heavy, Black, and Thrash

November 25, 2020
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“I think these shots bring out the fierceness of black metal, and the models are saying, ‘We can be this.’”

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Book Commentary: Philip Roth — American Warnings

June 13, 2018
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In the end, Philip Roth produced the greatest body of work in the 20th century since William Faulkner and Saul Bellow and I.B. Singer.

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Theater Review: “Macbeth” — Rousing Mayhem on the Boston Common

July 29, 2023
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This uncomplicated version of Shakespeare’s tragedy comes off as a rousing tale of murder under a starlit Boston sky that obligingly lights Macbeth’s “black and deep desires.”

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Film Review: “Kedi” — Caring for a City of Cats

February 28, 2017
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This endearing but unsentimental film explores the myriad connections that many Istanbul residents have to their feline neighbors.

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May Short Fuses — Materia Critica

May 1, 2023
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.

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Theater Review: “Pass Over” — An Unforgiving World

January 19, 2020
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If one of the aims of art is to create a distinctively imaginative world, than Pass Over succeeds in generating a landscape of devastation, a hopeless place filled with gaping wounds and visible scars.

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Fuse Theater Review: Liars & Believers’ “Interference” is “Guernica” for Hipsters

February 24, 2014
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The 64,000 question is, if the artists’ concerns gravitated to the Marathon Bombings, why did “Interference”‘s press releases and the program cite Picasso’s “Guernica”?

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