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This is one of the most welcome, ear-opening recordings I’ve heard in recent years, easily capable of restoring Ferdinand Hiller to the position he once held as the composer of highly accomplished, enjoyable, and intriguing works.
A renovated and flexible performance space with unlimited free parking is what every theater company from Boston to Portland dreams of.
Ed Meek’s ability to harness language and cadence is comparable to watching a cowboy harness a wild mustang.
A pair of eminent lives — celebrated.
Concentrating on the strategies that enabled casualwear to grow worldwide, the book ignores the broader historical and political conditions that encouraged that success in the first place.
This is pure cinema, unpretentious, rough-hewn, mystical, conjured from the earth, offered up at the forest altar of whatever flesh-and-blood gods are still listening.
Three light-hearted books about family life reveal deeper meanings.
The proceedings are continually involving, each of the performers supplying sufficient dramatic weight and interacting as a credible ensemble of characters rather than caricatures.
Over four days of listening (and walking), we found that the 13th Big Ears reaffirmed its reputation for daring curation—fostering a community of eager listeners always ready to discover something new.
This year’s Berlin International Film Festival was nothing if not political.
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