Month: May 2012

Poetry Review: Ghassan Zaqtan’s Haunting Poetics of Suspension

May 25, 2012
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The poetry of Palestinian author Ghassan Zaqtan dwells in the space between life and death, memory and erasure, respite and continuous travel.

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Theater Review: Another Visit to “Ten Blocks on the Camino Real”

May 24, 2012
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Tennessee Williams’ stature amongst American playwrights may be more secure then it was when he died in 1983, but companies like Beau Jest, when they stage inspired productions of previously neglected works, are expanding our appreciation of what kind of a dramatist he was.

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Visual Arts Feature: Rembrandt, Rubens, the Beau Sancy, and the Jew

May 22, 2012
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The history of the Beau Sancy took me back to the years around 1640, when it passed into and out of the orbit of the greatest Netherlandish artists of the day, the Dutchman Rembrandt and the Brabander Rubens.

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Concert Review: Boston Modern Orchestra Project/Gil Rose at Jordan Hall

May 21, 2012
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Ultimately, there’s a “look at my technique” quality to composer Lewis Spratlan’s writing in this piece that doesn’t match the musical content and that seems to be striving to be all things to all listeners.

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Theater Review: “Xanadu” — Let the Campy Times Roll

May 21, 2012
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The SpeakEasy Stage Company’s Xanadu is a joyful, fun piece of light summer entertainment, beautifully executed by the cast and crew, that celebrates sublime schlock in surprisingly hilarious and creative ways.

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Fuse Feature: Writer Carlos Fuentes — A Personal Remembrance

May 20, 2012
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As sorry as I was to lose Mexican writer Carlos Fuentes last week, I was nonetheless deeply pleased that he reached the age of 83. I almost killed him when he was 37.

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Book Review: The “Three Lives” of Stefan Zweig

May 19, 2012
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Stefan Zweig’s was a dramatic, action-packed, intense epic of a life, but Oliver Matuschek’s biography, Three Lives, simply plods along.

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Theater Impressions: Cirque du Soleil’s “Amaluna” — Diane Paulus Turns “The Tempest” Into a Circus

May 19, 2012
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A.R.T artistic director Diane Paulus, entrepreneur extraordinaire, seems to have plucked impulse for character and meandering plot from a watered (down) idea of The Tempest.

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Theater Review: “Ten Blocks on the Camino Real” — A Tennessee Williams Dreamscape

May 18, 2012
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Beau Jest Moving Theatre has returned to the early, one-act version of Williams’ script, and created a sometimes pleasant, sometimes nightmarish dreamscape.

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Dance Review: Mark Morris Redux

May 18, 2012
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Mark Morris, no longer dancing, joined his company for the curtain call. He’s beloved here, a part of the contemporary dance scene in Boston over the decades as a performer, a choreographer for the Boston Ballet, a teacher, and an inspiration to a number of local performers.

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