World Books
This translation of “Poems of Consummation” is important for several reasons, one of which is that the 1977 Nobel prizewinner—despite the award—has long been insufficiently preeminent in our Anglo-American view of twentieth-century Spanish poetry.
This fascinating book ends, leaving the reader with all sorts of questions — but that is exactly what really good fiction always does. Opening our minds, etching characters in our imaginations, and generating all sorts of possibilities.
Anat Gov does a fine job on the meta-playwriting level. “Best Friends” is a genre piece that is also an affectionate commentary on the genre to which it belongs.
While reading Andre Maurois’ “Climates” you feel your world narrowing in uncomfortable ways.
Moroccan poet Abdellatif Laâbi’s autobiographical fiction draws deeply on his own childhood in Fez during the late 1940s and especially the 1950s.
Mr. Selfridge drives me nuts because the storyline, the rise of a mercantile empire, calls for edgy Darwinian conflict rather than paternal benevolence sprinkled with layers of powered soap opera.
This anthology, made up of Michael Wolfe’s superb translations of ancient Greek epitaphs, begins in prehistory and ends in the sixth century C.E.
Poet Mikhail Kuzmin, born in the 1870s into a family of Russian Old Believers, was a passionate exponent of gay literature in the early twentieth century.
Yves Bonnefoy’s book is, fundamentally, a spiritual autobiography; yet it draws extensively on the outside world and ponders how it can be described in writing or depicted in painting.
“Henrik Nordbrandt now holds a unique place in his homeland as its most celebrated national poet, who happens to have spent most of his adult life outside Denmark.”
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