Theater
For a semi-Shavian like myself, the Shaw Festival once again proved that it was the place to be.
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In this script, dramatist Martyna Majok has created an opportunity for those who live in (or near) cities to see and hear the struggles of the underclass.
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Perhaps what’s most fascinating here is proof that Brenda Withers’ play has an evergreen quality to it. “The Ding Dongs” may prove to be prophetic.
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Patti Hartigan’s biography is a workmanlike portrait of dramatist August Wilson that never delves deep enough into his poetic soul.
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The David Byrne-Fatboy Slim musical makes its long-awaited Broadway bow. (Well, long-awaited by some…)
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This uncomplicated version of Shakespeare’s tragedy comes off as a rousing tale of murder under a starlit Boston sky that obligingly lights Macbeth’s “black and deep desires.”
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Congratulations to Gloucester Stage’s new artistic director Rebecca Bradshaw for mounting the regional premiere of this interesting script, a kitchen sink comedy/drama that is anything but routine.
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The Lehman Trilogy is epic in its proportion and ambitions, so it is ironic that it sacrifices opportunities to probe troubling topics.
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Anna Ziegler’s play is based on a true story that still resonates powerfully: how science (and society) hides uncomfortable truths.
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Theater Commentary: When Sorrows Come – Tragedy Befalls Regional Theater Companies
Theater companies all over the country are cutting back or shutting down. And the bad news just keeps coming.
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